Die MEI G² Serie von LD Systems ist sinnvoll ausgestattet und bietet professionelles In-Ear-Monitoring zu einem attraktiven Preis. Das neue LD Systems MEI G2 In-Ear Monitoring-System mit 96 UHF-Kanälen bietet eine überragende Klangqualität und einen großen Dynamikumfang in. LD Systems MEI G2 BPR Empfänger: gpjthomas.com: Musikinstrumente.
Info zu diesem ArtikelLD Systems MEI G2 BPR Empfänger: gpjthomas.com: Musikinstrumente. The new LD Systems MEI G2 In-Ear Monitoring-System with 96 UHF channels with outstanding sound quality and a large dynamic range in the - LD-Systems MEI g2 In Ear Funksystem/Funkanlage SET inkl. Shure SE In Ear Kopfhörer; Frequenzbereich: - MHz/ MHz, 96 Kanäle (8.
Ld Systems Mei 100 G2 UHF Wireless In-Ear System VideoLD Systems MEI 100 problem with multiple in ear systems Mit Liebe serviert! Foren, Apps, Blogs und vieles mehr. Store auswählen Select Store. Online Guides. I think I'll have to vote to stay Mrgreen Login the EU now, if we drop out, Wwe Tickets Deutschland 2021 British government might want those channels back :. If you would like to write for the Adam Hall Blog as a guest author, please contact our moderator Daniela Ohly.
There is a aperture designed for such on the left rack mounting panel. Both the and the systems are designed for unlicensed radio frequencies in the , to , MHz ranges and , to , MHz ranges.
This corresponds to a total of 96 channels, which are divided into 8 groups, each with 12 channels.
The transmitter and receiver must always be set to the same group and the appropriate channel so that they can transfer information.
Expensive transmitters sometimes have a useful scanning feature that searches the area automatically for free, unassigned frequencies. Optionally, either a stereo signal or two mono signals can be fed into the system.
Both transmitter stations have a power switch on the front and an additional, adjustable headphone output with a 6. According to the manufacturer, up to five different systems can be operated in parallel, and as many receivers connected to the system as desired.
In the latter case, all of the receivers can be set to the same frequency as the transmitter station, and therefore can all receive the same signal.
These systems could work well in smaller conferences where multiple simultaneous translations take place. In both cases, the balance adjustment between these two signals, whether this is two separate mono signals or a stereo signal, takes place via the controllers on the transmitter, and not via the receiver.
The receiver displays whether mono or stereo operation has been selected on the transmitter station.
The regulation of the input volume is located on the front, in contrast to the MEI , in the form of a single input-level controller, however both channels can be controlled at the same time.
The ratio of the two input signals to one another, whether this is a stereo signal or two separate mono signals, is set at the MEI in using buttons on the receiver.
There is a dual-mono operation hiding behind this. If two mono signals are sent to the transmitter, e. The cheaper MEI also has this regulation option, but you have to adjust the ratio between the two signals solely on the controls on the back of the transmitter, not on the receiver.
This is clearly a serious disadvantage compared to the MEI , especially in rack mounting, provided that you wish to use this feature.
In size and shape, the two candidates differ only marginally. The visually striking difference is the colour of the illuminated displays on the transmitter and receiver.
If the receiver is to be put into operation, the volume control should be turned slightly to the right until it overcomes a barrier-catch, which protects the controller against being switching on and off unintentionally.
Depending on how much the user moves around, it is advisable to attach the device with alternative methods.
As a special feature for live situations, they assume the additional function of balance control for adjusting the stereo or volume ratio of the two different signals in dual-mono mode focus mode.
Although it come off relatively easy, but you have to fumble about to get it fully off if the battery compartment is empty.
There are no other movable elements on the receiver that could split or break off accidentally. They lie horizontally in the device, are easily accessible, and can be changed accordingly quickly and easily.
If the unit is dropped in a live situation, however, it is according to experience that this form of construction means that the battery compartment easily pops open and the batteries fall out.
This too is an argument for an adequately-locked pocket instead of the mounted terminal. Limiter: There is an option of using a limiter to switch the signal path.
This protects ears and listeners from any volume spikes, as may arise, for example as a result of feedback or loud cracking noises.
Earpieces Yes. Information on the supported frequency ranges Here you can see which frequencies are supported by this wireless system and the countries in which these frequencies are allowed in the future for wireless applications.
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Related Products. Our friends in Brussels recently did something useful for musicians in the EU. We now have some new frequencies we can legally use for our IEMs and wireless mics all over Europe - the EU has forced our governments to clear out channel 65 and 66 also known as duplex gap or G2 for "wireless audio programme making and special events equipment" This is in addition to channel 70 frequencies.
I was holding back on buying IEMs because I already have instruments on channel 70 and you can only realistically fit 3 or 4 transmitters on there.
I use the new shure 2. Thanks to LDs early adoption of the G2 frequencies, you don't have to buy a licence now in Europe.
So as far as build is concerned, the belt receiver and transmitter are very high quality build, made to last. Sound wise the system is functional.
The receiver is loud enough, but doesn't have any extra kick so you are not going to go deaf using it. As it is FM technology, the sound quality suffers at the low end, if you are a bass player it probably won't cut it as the bass is distorted and the lowest end is not present.
So it's not the ear phones that are letting it down. I would compare the sound to a lower end FM car transmitter.
I know it's possible to get great FM transmission these days, some of the high end in car FM transmitters are absolutely brilliant with deep bass and great signal to noise ratio, it's a shame LD didn't choose a more up to date encoder chipset, or include some sort of compander technology like HDX like you find on the Sennheisers.
It is however functional enough and the additional free channels make it worthwhile and good value for money. The transmitter range is good enough, I can get 25 meters outside with clear stereo reception.
I think I'll have to vote to stay in the EU now, if we drop out, the British government might want those channels back :. Please give us the reason for your assessment in the following text box and — if possible — your e-mail address for further questions.
Send report. Item itself is made well, with good features. Die entscheidenden Unterschiede finden wir bei den Empfängern, wobei wir zunächst jedoch wieder auf die Gemeinsamkeiten eingehen wollen: Beide Empfänger werden mit 2 x 1,5 AA Batterien betrieben, mit denen die Laufzeit bis zu 12 Stunden betragen soll.
Wenn der Empfänger in Betrieb genommen werden soll, muss lediglich der Volumeregler ein wenig nach rechts gedreht werden, bis er eine Sperr-Raste überwindet, die den Regler gegen versehentliches An- und Ausschalten schützt.
Beide Empfänger besitzen einen Metallklemmbügel an der Rückseite, um das Gerät entsprechend an der Kleidung des Trägers zu befestigen. Hierfür haben sich vor allem Kletttaschen aus Neopren etabliert.
Speziell im Livebetrieb übernehmen sie zusätzlich die Funktion des Balancereglers für die Justierung des Stereo- bzw.
Zwar lässt der sich relativ leicht lösen, aber man muss etwas fummeln, um ihn ganz aufzubekommen, wenn sich noch keine Batterien im Fach befinden.
Weiteren beweglichen Elemente, die versehentlich aufgehen oder abbrechen könnten, gibt es am Empfänger keine. Sie liegen horizontal im Gerät und sind sehr gut zugänglich und entsprechend schnell und leicht zu wechseln.
Auch dies spricht für ausreichende Arretierung mittels Tasche anstatt der angebrachten Klemme. Limiter: Optional lässt sich ein Limiter in den Signalweg schalten.
Muss aber zugeben, dass ich das System die ganze Zeit laufen lassen habe. Vielleicht müsste ich, wenn zwischendurch geplaudert wird, den Empfänger konsequent ausschalten.
Es werden drei Grössen an Kopfhöreraufsätzen mitgeliefert. Leider passt mir keiner perfekt, aber das ist halt auch einfach ein bisschen Pech.